The canvas
Acrylic on stretched canvas, painted entirely by hand over several weeks. Standard sizes are 50 × 60 cm and 50 × 70 cm; larger formats are quoted individually.
VIKKOVA hand-paints a single iconic card onto canvas, then sets the physical card into the mount beneath it. One painting per card. The piece is finished and numbered.
The card does not go in a binder. It is mounted beneath the canvas that was painted from it, so the object on your wall carries both the artwork and the thing it came from.
Acrylic on stretched canvas, painted entirely by hand over several weeks. Standard sizes are 50 × 60 cm and 50 × 70 cm; larger formats are quoted individually.
The physical card — raw or slabbed — is set into the black mount directly below the painting, behind museum glass, recoverable without damage.
Don’t have the card? We can source it for you, or you can buy one directly from the VIKKOVA registry.
Engraved with the title, the card it was painted from, the serial number, the year and the artist.
A numbered Certificate of Authenticity, signed and sealed, recorded in the VIKKOVA registry — with a QR code that resolves to that serial.
REGISTRY OPEN · V0001 — V0007
| Painting | Serial | Work | Inspired by | Canvas | Year |
|---|---|---|---|---|---|
| V0001 | CharizardBase Set | Base Set First Edition | 50 × 60 cm | 2026 | |
| V0002 | Pikachu — Grey Felt HatAfter the Van Gogh Museum | Pokémon × Van Gogh Museum collaboration | 50 × 60 cm | 2026 | |
| V0003 | Umbreon VMAX — Starry NightReimagined after Van Gogh | Moonbreon, card #215/203 | 50 × 70 cm | 2026 | |
| V0004 | Charizard exPokémon 151 | Special Illustration Rare, card #195/165 | 50 × 70 cm | 2026 | |
| V0005 | Monkey D. LuffyOne Piece TCG | Manga Parallel Rare | 50 × 60 cm | 2026 | |
| V0006 | IvysaurPokémon 151 | Illustration Rare #167/165 | 50 × 60 cm | 2026 | |
| V0007 | Bubble MewPokémon 151 | Illustration Rare #151/165 | 50 × 60 cm | 2026 |
Every commission runs the same four stages. This is why the queue exists — only one canvas is on the easel at a time.
The card is redrawn to canvas scale in pencil. Composition, proportion and detail are resolved before a single drop of paint goes down.
The largest masses of colour are laid first — ground, sky, the light the rest of the piece will be built against.
Impasto by impasto, worked over successive sittings until the surface holds real texture and depth under gallery light.
Final highlights, varnish, signature. The serial is assigned, the certificate issued, the card set into the mount and the piece framed.
Every VIKKOVA leaves the studio with its own Certificate of Authenticity. The serial is recorded in the registry, so the painting can be identified and verified long after it has changed hands.
Upload a photo of the card you want painted and tell us a little about it. VIKKOVA reviews every submission personally before a commission is confirmed.
There is a waitlist. Only one canvas is painted at a time, so commissions are accepted in the order they are registered. Submitting this form places you in the queue — you'll be contacted with your position, and again when your slot comes up. Nothing is charged, and no commission is confirmed, until we've spoken.
Your card is with VIKKOVA. Because each canvas is painted one at a time, places move in the order they were registered — you'll hear from us with your position, and again when your slot opens.